هنري مارتن (مؤرخ)

Becoming associated with Paul Lacroix (Le Bibliophile Jacob), he planned with him a history of France to consist of excerpts from the chief chroniclers and historians, with original matter filling up gaps in the continuity. In the first volume, which appeared in 1833, Histoire de France depuis les temps les plus reculés jusqu'en juillet 1830, the compiler promised to seek "always the dramatic and picturesque side of history, the one that interests the greatest number";^[7] its success encouraged Martin to make the work his own, and his Histoire de France, in 15 volumes (1833–1836) which spans the space from earliest times to the French Revolution of 1789, was the result. This magnum opus, rewritten and further elaborated during the following 18 years of research (4th ed., 16 vols. and index, 1861–1865) gained for him in 1856 the first prize of the Academy, and in 1869 the grand biennial prize of 20,000 francs. A popular abridgement, L'Histoire de France Populaire (7 vols.) was published in 1867. This, together with the continuation, Histoire de France depuis 1789 jusqu'à nos jours (History of France from 1789 to the Present Time) (6 vols. 1878-1883), gives a complete history of France, superseding Sismondi's Histoire des Français as the primary French history of the 19th century.^[3]

Alas, this monumental work has not withstood the test of time. Martin's romanticized descriptions of Gauls as representing the Druidic key to France's essentialist "primitive tradition" are based on his longstanding close ties with the Saint-Simoniancounter-Enlightenment philosopher Jean Reynaud^[8] rather than on objective history.^[9] However flawed, his popularized accounts gave a great impetus to Celtic linguistic and anthropological studies. His knowledge of the Middle Ages is inadequate, and his criticisms are not discriminating. As a free-thinking liberal republican outside the Roman Catholic Church, his prejudices often biased his judgment on the political and religious history of the ancien régime. The last six volumes, devoted to the 17th and 18th centuries, are superior to the earlier ones.^[3]

في مقالته De la France, de son génie et de ses destinées (1847) سعى إلى إعطاء الفرنسيين إحساسًا بمصيرهم الوطني بشكل أساسي في إطار القومية الرومانسية . ومن بين الأعمال الصغيرة الأخرى دانيال مانين (1860)، و La Russie et l'Europe (1866)، و Etudes d'archéologie celtique (1872)، و Les Napoléon et les Frontières de la France (1874). ^{[ 10 ]}